fragile
furious
free

A・MAGNETISM serene
20. sfv, CA. UCIの三年生.

I took the stars from our eyes,
and then I made a map
And knew that somehow
I could find my way back
Then I heard your heart beating, you were in the darkness too
So I stayed in the darkness
with you



1 2 3 4 5

"I tell you this
to break your heart,
by which I mean only
that it break open and never close again
to the rest of the world."

Mary Oliver

(Source: eloquence, via thisthatsucker)

"The melancholy river bears us on. When the moon comes through the trailing willow boughs, I see your face, I hear your voice and the bird singing as we pass the osier bed. What are you whispering? Sorrow, sorrow. Joy, joy. Woven together, like reeds in moonlight."

Virginia Woolf

(Source: serialstranger)

"Your honor, I have no closing statement because I’m throwing the case. No, no, it’s okay. It’s fine, don’t worry. My client, Shirley Bennett, my friend of three years, she told me that it was okay. She said what I want was more important. She’s right—right? I mean, guys like me, we’ll tell you there’s no right or wrong—there’s no real truths. And as long as we all believe that, guys like me can never lose. Because the truth is, I’m lying when I say there is no truth. The truth is—the pathetically, stupidly, inconveniently, obvious truth is, helping only ourselves is bad and helping each other is good. Now I just wanted to get out of here, pass biology and be a lawyer again instead of helping Shirley. That was bad. And my former colleague wanted so badly to keep his rich client that he just asked me to roll over in exchange for my old job. So, I guess we all walked in here pretty bad, but now Shirley’s gone good. Shirley’s helping me. It’s that easy. You just stop thinking about what’s good for you and start thinking about what’s good for someone else. And you can change the whole game with one move."

Community 3x22 , Introduction to Finality

"I am free and that is why I am lost."

Franz Kafka

(Source: pantheonbooks)

Sixteen Things Calvin and Hobbes Said Better Than Anyone Else

On life’s constant little limitations

Calvin: You know, Hobbes, some days even my lucky rocket ship underpants don’t help.

On expectations

Calvin: Everybody seeks happiness! Not me, though! That’s the difference between me and the rest of the world. Happiness isn’t good enough for me! I demand euphoria!

On why we are scared of the dark

Calvin: I think night time is dark so you can imagine your fears with less distraction.

On the unspoken truth behind the education system

Calvin: As you can see, I have memorized this utterly useless piece of information long enough to pass a test question. I now intend to forget it forever. You’ve taught me nothing except how to cynically manipulate the system. Congratulations.

On the cruel reality of commercial art

Hobbes: Van Gogh would’ve sold more than one painting if he’d put tigers in them.

On the tragedy of hipsters

Calvin: The world bores you when you’re cool.

On the tears of a clown

Calvin: Isn’t it strange that evolution would give us a sense of humour? When you think about it, it’s weird that we have a physiological response to absurdity. We laugh at nonsense. We like it. We think it’s funny. Don’t you think it’s odd that we appreciate absurdity? Why would we develop that way? How does it benefit us?

Hobbes: I suppose if we couldn’t laugh at things that don’t make sense, we couldn’t react to a lot of life.

Calvin: (after a long pause) I can’t tell if that’s funny or really scary.

On the falling of sparrows (or providence’s lack of a timetable)

Calvin: Life is full of surprises, but never when you need one.

On why winter is the cruellest of seasons

Calvin: Getting an inch of snow is like winning 10 cents in the lottery.

On the gaping hole in contemporary art’s soul

Calvin: People always make the mistake of thinking art is created for them. But really, art is a private language for sophisticates to congratulate themselves on their superiority to the rest of the world. As my artist’s statement explains, my work is utterly incomprehensible and is therefore full of deep significance.

On playing Frankenstein with words

Calvin: Verbing weirds language.

On realising God is more Woody Allen than Michael Bay

Calvin: They say the world is a stage. But obviously the play is unrehearsed and everybody is ad-libbing his lines.

Hobbes: Maybe that’s why it’s hard to tell if we’re living in a tragedy or a farce.

Calvin: We need more special effects and dance numbers.

On why ET is real

Calvin: Sometimes I think the surest sign that intelligent life exists elsewhere in the universe is that none of it has tried to contact us.

On looking yourself in the mirror

Hobbes: So the secret to good self-esteem is to lower your expectations to the point where they’re already met?

On the future

Calvin: Trick or treat!

Adult: Where’s your costume? What are you supposed to be?

Calvin: I’m yet another resource-consuming kid in an overpopulated planet, raised to an alarming extent by Madison Avenue and Hollywood, poised with my cynical and alienated peers to take over the world when you’re old and weak. Am I scary, or what?

On the truth

Calvin: It’s a magical world, Hobbes, ol’ buddy…Let’s go exploring!

(Source: amandaonwriting)

"

Trying to explain
how camellias spoil and bloom at the same time,

how their perfume makes lovers ache. Trying
to describe the ways sex darkens

and dies, how two bodies can lie
together, entwined, out of habit.

Finding themselves later, tired, by a fire,
on an old couch that no longer reassures.

The night we eloped we drove to the rainforest
and found ourselves in fog so thick

our lights were useless. There’s no choice,
you said, we must have faith in our blindness.

"

Dina Ben-Lev, from “Driving 

(Source: awritersruminations, via handsomesharks)

"I have nothing now but praise for my life. I’m not unhappy. I cry a lot because I miss people. They die and I can’t stop them. They leave me and I love them more. … What I dread is the isolation. … There are so many beautiful things in the world which I will have to leave when I die, but I’m ready, I’m ready, I’m ready."

Maurice Sendak on Fresh Air in 2011. [all interviews with Sendak here]

(via nprfreshair)

"My firefly heart is still right there in your glass jar."

Andrea Gibson

(Source: not-necessarily-bad)

"Again and again, however we know the landscape of love
and the little churchyard there, with its sorrowing names,
and the frighteningly silent abyss into which the others
fall: again and again the two of us walk out together
under the ancient trees, lie down again and again
among the flowers, face to face with the sky."

Rainer Maria Rilke 

(Source: fairywine)

"I think, that if I touched the earth,
It would crumble;
It is so sad and beautiful,
So tremulously like a dream."

Dylan Thomas

(Source: talkativolive)

"

I am a dreamer. I know so little of real life that I just can’t help re-living such moments as these in my dreams, for such moments are something I have very rarely experienced. I am going to dream about you the whole night, the whole week, the whole year. I feel I know you so well that I couldn’t have known you better if we’d been friends for twenty years. You won’t fail me, will you? Only two minutes, and you’ve made me happy forever. Yes, happy. Who knows, perhaps you’ve reconciled me with myself, resolved all my doubts.

When I woke up it seemed to me that some snatch of a tune I had known for a long time, I had heard somewhere before but had forgotten, a melody of great sweetness, was coming back to me now. It seemed to me that it had been trying to emerge from my soul all my life, and only now-

If and when you fall in love, may you be happy with her. I don’t need to wish her anything, for she’ll be happy with you. May your sky always be clear, may your dear smile always be bright and happy, and may you be for ever blessed for that moment of bliss and happiness which you gave to another lonely and grateful heart. Isn’t such a moment sufficient for the whole of one’s life?

"

Fyodor Dostoyevsky, White Nights

(Source: pavorst)

"To him she seemed so beautiful, so seductive, so different from ordinary people, that he could not understand why no one was as disturbed as he by the clicking of her heels on the paving stones, why no one else’s heart was wild with the breeze stirred by the sighs of her veils, why everyone did not go mad with the movements of her braid, the flight of her hands, the gold of her laughter. He had not missed a single one of her gestures, not one of the indications of her character, but he did not dare approach her for fear of destroying the spell."

Gabriel Garcia Marquez Love in the time of Cholera 

(Source: rotule)

"When I run my hand across a page of poetry I do not want oil and onionskin, I do not want slick bullshit; I want my hand to come away with blood on it. And God damn you if you are otherwise."

Charles Bukowski 

(Source: thevagabondking.com, via therealvagabondking)

"He is thinking about asymmetry. This is a world, he is thinking, where you can lie in bed, listening to a song as you dream about someone you love, and your feelings and the music will resonate so powerfully and completely that it seems impossible that the beloved, whoever and wherever he or she might be, should not know, should not pick up this signal as it pulsates from your heart, as if you and the music and the love and the whole universe have merged into one force that can be chanelled out into the darkness to bring them this message. But, in actuality, not only will he or she not know, there is nothing to stop that other person from lying on his or her bed at the exact moment listening to the exact same song and thinking about someone else entirely—from aiming those identical feelings in some completely opposite direction, at some totally other person, who may in turn be lying in the dark thinking of another person still, a fourth, who is thinking of a fifth, and so on, and so on, so that rather than a universe of neatly reciprocating pairs, love and love-returned fluttering through space nicely and symmetrically like so many pairs of butterfly wings, instead we get chains of yearning, which sprawl and meander and culminate in an infinite number of dead ends."

Paul Murray

(Source: larmoyante, via odaro)